Tag: climate change

Luminous with Manifold Illusion: Rereading as Postmortem or Death of the Poet

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Georgia Rose Phillips “I can recover my calm by living the metaphors of the ocean.” – Gaston Bachelard, The Poetics of Space, 28.   The day I heard a line from Ashbery’s poem “Syringa” when walking up Semaphore beach (“The seasons are no longer what they once were”), something equally as intriguing started to transpire. Ashbery’s line prompted me to think of the final two lines of TS Eliot’s poem “The Hollow Men”. This oft-quoted work ends on the troubling but oracular note, “This is the way the world ends / Not with a bang but with a whimper”. As…

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Enter the Ghost, Exit the Ghost: Rereading as a Haunting–Phantom Texts, Hauntology and Spectral Readers

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Georgia Rose Phillips For a long time, I have been rereading John Ashbery’s poem “Syringa” in the way I occasionally reread certain poems—feeling as if the lines I have committed to memory have become the echo of my own emotion. When I experience grief, I often hear the line from Joy Harjo’s poem, “Desire”, “Say the stars have never learned / to say goodbye” (99). I see a muted twinkle against a stretch of navy and feel the pang of the star’s condition of being permanently suspended outside the redemptive thralls of language. When I first learnt how to create…

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In Praise of Rereading: Iterative Inhabitations and Sheltering the Paradise of Words

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Georgia Rose Phillips Sometimes, the line of a poem leaps out unexpectedly from the well of my consciousness when I encounter something close to what it resembles in the real world. On an unseasonably cold November day in Semaphore, South Australia late last year, I heard a line from Ashbery’s “Syringa” as I walked up the beach. I had been pressing through the afternoon’s sharp sandy gusts and feeling the overhang of winter in the cold sting of the breeze. As I moved towards the grey surface of water, dotted with white foamy caps, I had been starting to doubt…

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Elemental

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Elemental is concerned with our experience of the elements in an era of climate change. The four elements of classical thought (earth, fire, water, air) align with what we now call four states of matter and hence to what is termed the “material turn” in contemporary debates in the humanities. This material turn seeks new ways of understanding the physical world and is motivated by the urgency of shared vulnerability on the planet. In Australia this experience of extreme weather, including floods and fires, embroils the entire ecosystem including literary ecologies. This issue considers a range of Australian writers who…

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