Tag: Justin Clemens

Pot Tent Shell Litter Rat Shore

by Justin Clemens Although I’d intended to move onto a rather different topic with this, my final post for the Southerly blog, I’ve found myself stuck on the problem of poetry and computing I briefly discussed last week. Although my thinking on this remains pretty infantile, I would want to say that there is an irreconcilable difference between language and information. To commit the unforgivable gaffe of auto-citation: ‘If almost all inherited elements of human communication have now been decisively reconfigured by the new technologies, this is on the basis of essentially technical, trans-human routines of “information-as-code” not “language-as-symbolic-exchange.”’[1] Whatever…

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Judgement Day

by Justin Clemens I’m not down on literary festivals, as some readers of my previous post seemed to think. On the contrary, I love them — although that doesn’t mean I don’t think their current excrescent phosphorescence has something suspicious about it. Love is a funny word, a complex feeling, and an intense, involved process, and I’ve never really understood why, when whatever love is is in question, anybody should stop questioning either the love or its nominal object. In fact, I’d suggest that love without self-questioning barely deserves the name of love at all. If sometimes you go too…

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Dies Festus

by Justin Clemens   Although the academic conferences dry up like a desert pool, the literary festivals never end. From Adelaide and Alice Springs to Woollahra and the Whitsundays, it’s a perpetually-effervescing celebration of writing of all kinds. Whether you’re into poetry or prose, digital writing or graphic novels, romance, sci-fi, horror, crime, comic extravaganzas, theatricals, screen-writing, non-fiction, creative non-fiction, uncreative writing, business-writing, medical-writing, science-writing, adult or children’s literature, emerging, aging, dead or unborn writers, art books, rare books, common books, no books, Indigenous or Jewish writers, the country, the coast, or the city — there’s a festival for you.…

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by Justin Clemens When July with its bluster and showers comes around to mark the jagged break between antipodean tertiary semesters, then longen scholars to goon to conferences. This season, I took my face out for a walk — as Stéphane Mallarmé says — to two of them. Each had a title, one perhaps snappier than the other. The first, organized by Kate Montague, Sigi Jöttkandt, and Mark Steven from UNSW, bore the name Reason Plus Enjoyment (R+E) and took place 10-14 July.[1] The second, organized by Deirdre Coleman, Claire Knowles, and Peter Otto (what’s with these organizational trinities?), was…

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Next monthly blogger – Justin Clemens!

Many thanks to Van Badham for her great posts, and to Ian Buchanan for his. This month, our blogger is Justin Clemens. His bio is below. Justin Clemens writes poetry and prose. Recent publications include The Mundiad (Hunter 2013) and, with A.J. Bartlett and Jon Roffe, Lacan Deleuze Badiou (Edinburgh UP 2014). He is currently working on a tract about contemporary Australian poetry with Ali Alizadeh. He teaches at Melbourne University. Photo created through Autoscopia

Long Paddock for Southerly 72.2: True Crime

Southerly 72.2 is available to purchase here. This link will take you to our old GumRoad storefront (an external site). Remaining issues will be moved to our own site, here, soon. POETRY Justin Clemens, the welt is fort island must blackberry you Geraldine Burrowes, evening things up Michael Farrell, A Writer’s Life Claire Gaskin, Macbeth* Adam Aitken, Ezra Pound in Mareuil Tim Grey, Untitled Ann Vickery, An Eye For an Eye ESSAYS Ross Gibson, Collision Course* Kristen Davis, Postcards from the ‘Bondi Badlands’: Meditations on the scene of the crime REVIEWS Kate Middleton on Lines for Birds: Poems and Paintings…

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