Part 3
In considering only the alphabetic aspects of the postcodes one half of their narrative and poetic potential was potentially being overlooked. Some quick calculations confirmed this, and the need to dig a little deeper.
In considering only the alphabetic aspects of the postcodes one half of their narrative and poetic potential was potentially being overlooked. Some quick calculations confirmed this, and the need to dig a little deeper.
On occasion the threads braid together and present a knot or a node or an answer. Halfway through the 13 September 1967 issue of The Australian Women’s Weekly is a promotion for a storytelling game called Postcode, which requires entrants to spin a yarn with postcodes in place of a few key words.
In front of the man, in fact almost all around him – scattered on the butchers papered trestle table he sits at, taped and tacked to the three dividing walls arranged in a U suggesting a room, tossed or lost to the floor – are sheets of paper: photocopied, cut and pasted, gridded, plain, scribbled, planes.